In Greek mythology, Theia (/ˈθiːə/; Ancient Greek: Θεία, romanized: Theía, also rendered Thea or Thia), also called Euryphaessa "wide-shining", is the Titaness of sight and by extension the goddess who endowed gold, silver and gems with their brilliance and intrinsic value. Her brother/consort is Hyperion, a Titan and god of the sun, and together they are the parents of Helios (the Sun), Selene (the Moon), and Eos (the Dawn). She may be the same with Aethra, the consort of Hyperion and mother of his children in some accounts.
The name Theia alone means simply "goddess" or "divine"; Theia Euryphaessa (Θεία Εὐρυφάεσσα) brings overtones of extent (εὐρύς, eurys, "wide", root: εὐρυ-/εὐρε-) and brightness (φάος, phaos, "light", root: φαεσ-). Once paired in later myths with her Titan brother Hyperion as her husband, "mild-eyed Euryphaessa, the far-shining one" of the Homeric Hymn to Helios, was said to be the mother of Helios (the Sun), Selene (the Moon), and Eos (the Dawn).
In Greek mythology, Iapetus (/aɪˈæpɪtəs/; Ancient Greek: Ἰαπετός, romanized: Iapetós),[also Japetus, was a Titan, the son of Uranus and Gaia and father of Atlas, Prometheus, Epimetheus, and Menoetius. He was also called the father of Buphagus and Anchiale in other sources.
Iapetus was linked to Japheth (יֶפֶת) one of the sons of Noah and a progenitor of mankind in biblical accounts. The practice by early historians and biblical scholars of identifying various historical nations and ethnic groups as descendants of Japheth, together with the similarity of their names, led to a fusion of their identities, from the early modern period to the present.
In Greek mythology, Prometheus (/prəˈmiːθiəs/; Ancient Greek: Προμηθεύς, [promɛːtʰéu̯s], possibly meaning "forethought") is a Titan god of fire. Prometheus is credited with the creation of humanity from clay, and of defying the gods by stealing fire and giving it to humanity as civilization. Prometheus is known for his intelligence and for being a champion of humankind, and is also generally seen as the author of the human arts and sciences He is sometimes presented as the father of Deucalion, the hero of the flood story.
The punishment of Prometheus as a consequence of the theft of fire and giving it to humans is a popular subject of both ancient and modern culture. Zeus, king of the Olympian gods, sentenced Prometheus to eternal torment for his transgression. Prometheus was bound to a rock, and an eagle—the emblem of Zeus—was sent to eat his liver (in ancient Greece, the liver was often thought to be the seat of human emotions). His liver would then grow back overnight, only to be eaten again the next day in an ongoing cycle. Prometheus was eventually freed by the hero Heracles. In yet more symbolism, the struggle of Prometheus is located by some at Mount Elbrus or at Mount Kazbek, two volcanic promontories in the Caucasus Mountains beyond which for the ancient Greeks lay the realm of the barbarii.
In another myth, Prometheus establishes the form of animal sacrifice practiced in ancient Greek religion. Evidence of a cult to Prometheus himself is not widespread. He was a focus of religious activity mainly at Athens, where he was linked to Athena and Hephaestus, who were the Greek deities of creative skills and technology.
In the Western classical tradition, Prometheus became a figure who represented human striving (particularly the quest for scientific knowledge) and the risk of overreaching or unintended consequences. In particular, he was regarded in the Romantic era as embodying the lone genius whose efforts to improve human existence could also result in tragedy: Mary Shelley, for instance, gave The Modern Prometheus as the subtitle to her novel Frankenstein.
In ancient Greek religion and mythology, Pan (/pæn/; Ancient Greek: Πάν, romanized: Pán) is the god of the wild, shepherds and flocks, nature of mountain wilds, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is also recognized as the god of fields, groves, wooded glens and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. The word panic ultimately derives from the god's name.
In Roman religion and myth, Pan's counterpart was Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna; he was also closely associated with Sylvanus, due to their similar relationships with woodlands. In the 18th and 19th centuries, Pan became a significant figure in the Romantic movement of western Europe and also in the 20th-century Neopagan movement.
Dionysus (/daɪ.əˈnaɪsəs/; Greek: Διόνυσος) is the god of the grape-harvest, winemaking and wine, of fertility, orchards and fruit, vegetation, insanity, ritual madness, religious ecstasy, festivity and theatre in ancient Greek religion and myth.
He is also known as Bacchus (/ˈbækəs/ or /ˈbɑːkəs/; Greek: Βάκχος, Bákkhos), the name adopted by the Romans; the frenzy he induces is bakkheia. Another name used by the Romans is Liber meaning "free", due to his association with wine and the Bacchanalia and other rites, and the freedom associated with it. His thyrsus, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. As Eleutherios ("the liberator"), his wine, music and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. Those who partake of his mysteries are believed to become possessed and empowered by the god himself.
In his religion, identical with or closely related to Orphism, Dionysus was believed to have been born from the union of Zeus and Persephone, and to have himself represented a chthonic or underworld aspect of Zeus. Many believed that he had been born twice, having been killed and reborn as the son of Zeus and the mortal Semele. In the Eleusinian Mysteries he was identified with Iacchus, the son (or, alternately, husband) of Demeter.
Proserpina (/proʊˈsɜːrpɪnə/ proh-SUR-pin-ə, Latin: [proːˈsɛrpɪna]) or Proserpine (/proʊˈsɜːrpɪni, ˈprɒsərpaɪn/ proh-SUR-pin-ee, PROSS-ər-pyne is an ancient Roman goddess whose cult, myths and mysteries were combined from those of Libera, an early Roman goddess of wine. In Greek she is known as Persephone and her mother is Demeter, goddesses of grain and agriculture. The originally Roman goddess Libera was daughter of the agricultural goddess Ceres and wife to Liber, god of wine and freedom. In 204 BC, a new "Greek-style" cult to Ceres and Proserpina as "Mother and Maiden" was imported from southern Italy, along with Greek priestesses to serve it, and was installed in Libera and Ceres' temple on Rome's Aventine Hill. The new cult and its priesthood were actively promoted by Rome's religious authorities as morally desirable for respectable Roman women, and may have partly subsumed the temple's older, native cult to Ceres, Liber and Libera; but the new rites seem to have functioned alongside the old, rather than replaced them.
Just as Persephone was thought to be a daughter of Demeter, Romans made Proserpina a daughter of Demeter's Roman equivalent, Ceres. Like Persephone, Proserpina is associated with the underworld realm and its ruler; and along with her mother Ceres, with the springtime growth of crops and the cycle of life, death and rebirth or renewal. Her name is a Latinisation of "Persephone", perhaps influenced by the Latin proserpere ("to emerge, to creep forth"), with respect to the growing of grain. Her core myths – her forcible abduction by the god of the underworld, her mother's search for her and her eventual but temporary restoration to the world above – are the subject of works in Roman and later art and literature. In particular, Proserpina's seizure by the god of the Underworld – usually described as the Rape of Proserpina, or of Persephone – has offered dramatic subject matter for Renaissance and later sculptors and painters.
In Greek mythology, Persephone (/pərˈsɛfəniː/ pər-SEF-ə-nee; Greek: Περσεφόνη, romanized: Persephónē), also called Kore or Kora (/ˈkɔːriː/ KOR-ee; Greek: Κόρη, romanized: Kórē, lit. 'the maiden'), is the daughter of Zeus and Demeter. She became the queen of the underworld after her abduction by Hades, the god of the underworld, with the approval of her father, Zeus.The myth of her abduction and return to the surface represents her functions as the embodiment of spring and the personification of vegetation, which sprouts from the earth in spring and disappears into the earth after harvest. In Classical Greek art, Persephone is invariably portrayed robed, often carrying a sheaf of grain. She may appear as a mystical divinity with a sceptre and a little box, but she was mostly represented in the process of being carried off by Hades.
Persephone as a vegetation goddess and her mother Demeter were the central figures of the Eleusinian mysteries, which promised the initiated a more enjoyable prospect after death. The origins of her cult are uncertain, but it was based on ancient agrarian cults of agricultural communities. To her alone were dedicated the mysteries celebrated at Athens in the month of Anthesterion.
Her name has numerous historical variants. These include Persephassa (Περσεφάσσα) and Persephatta (Περσεφάττα). In Latin, her name is rendered Proserpina. She was identified by the Romans as the Italic goddess Libera, who was conflated with Prosperina. Myths similar to Persephone's descent and return to earth also appear in the cults of male gods like Attis, Adonis, and Osiris, and in Minoan Crete.
In ancient Roman religion, Ceres (/ˈsɪəriːz/ SEER-eez, Latin: [ˈkɛreːs]) was a goddess of agriculture, grain crops, fertility and motherly relationships. She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular Ludi Ceriales (Ceres' games). She was also honoured in the May lustratio of the fields at the Ambarvalia festival, at harvest-time, and during Roman marriages and funeral rites.
Ceres is the only one of Rome's many agricultural deities to be listed among the Dii Consentes, Rome's equivalent to the Twelve Olympians of Greek mythology. The Romans saw her as the counterpart of the Greek goddess Demeter, whose mythology was reinterpreted for Ceres in Roman art and literature.
In ancient Greek religion and mythology, Demeter (/dɪˈmiːtər/; Attic: Δημήτηρ Dēmḗtēr [dɛːmɛ́ːtɛːr]; Doric: Δαμάτηρ Dāmā́tēr) is the Olympian goddess of the harvest and agriculture, presiding over grains and the fertility of the earth. She was also called Deo (Δηώ).. Her cult titles include Sito (Σιτώ), "she of the Grain", as the giver of food or grain, and Thesmophoros (θεσμός, thesmos: divine order, unwritten law; φόρος, phoros: bringer, bearer), "giver of customs" and/or "legislator", in association with the secret female-only festival called the Thesmophoria.
Though Demeter is often described simply as the goddess of the harvest, she presided also over the sacred law, and the cycle of life and death. She and her daughter Persephone were the central figures of the Eleusinian Mysteries, a religious tradition that predated the Olympian pantheon, and which may have its roots in the Mycenaean period c. 1400–1200 BC. Demeter was often considered to be the same figure as the Anatolian goddess Cybele, and she was identified with the Roman goddess Ceres.
In Greek mythology, Hyperion (/haɪˈpɪəriən/; Greek: Ὑπερίων, romanized: Hyperíōn, 'the high one') was one of the twelve Titan children of Gaia (Earth) and Uranus (Sky) who, led by Cronus, overthrew their father Uranus and were themselves later overthrown by the Olympians. With his sister, the Titaness Theia, Hyperion fathered Helios (Sun), Selene (Moon) and Eos (Dawn).
Hyperion's son Helios was referred to in early mythological writings as Helios Hyperion (Ἥλιος Ὑπερίων, "Sun High-one"). In Homer's Odyssey, Hesiod's Theogony, and the Homeric Hymn to Demeter, the Sun is once in each work called Hyperionides (Ὑπεριωνίδης, "son of Hyperion"), and Hesiod certainly imagines Hyperion as a separate being in other writings. Ιn Βook 19 of Homer's Iliad, Homer calls the sun-god "Hyperion", a byname of the Sun, Hyperion's son. In later Greek literature, Hyperion is always distinguished from Helios; the former was ascribed the characteristics of the "God of Watchfulness, Wisdom and the Light", while the latter became the physical incarnation of the Sun. Hyperion is an obscure figure in Greek culture and mythology, mainly appearing in lists of the twelve Titans:
Of Hyperion we are told that he was the first to understand, by diligent attention and observation, the movement of both the sun and the moon and the other stars, and the seasons as well, in that they are caused by these bodies, and to make these facts known to others; and that for this reason he was called the father of these bodies, since he had begotten, so to speak, the speculation about them and their nature.
As the father of Helios, Hyperion was regarded as the “first principle” by Emperor Julian, though his relevance in Julian's notions of theurgy is unknown.
He was said to be breathtakingly beautiful. Hyperion’s name comes from he Greek for “the one who watches from above.” He is said to be the first to understand the cycles of the sun, the stars, the moon and the dawn or to even have ordered them in the first place.