Aker was first depicted as the torso of a recumbent lion with a widely opened mouth. Later, he was depicted as two recumbent lion torsos merged with each other and still looking away from each other.
From Middle Kingdom onwards Aker appears as a pair of twin lions, one named Duaj (meaning "yesterday") and the other Sefer (meaning "tomorrow"). Aker was thus often titled "He who's looking forward and behind". When depicted as a lion pair, a hieroglyphic sign for "horizon" (two merged mountains) and a sun disc was put between the lions; the lions were sitting back-on-back.
In later times, Aker can also appear as two merged torsos of recumbent sphinxes with human heads.
Aker was first described as one of the earth gods guarding the "gate to the yonder site". He protected the deceased king against the three demonic snakes Hemtet, Iqeru and Jagw. By "encircling" (i.e. interring) the deceased king, Aker sealed the deceased away from the poisonous breath of the snake demons. Another earth deity, who joined and promoted Aker's work, was Geb. Thus, Aker was connected with Geb. In other spells and prayers, Aker is connected with Seth and even determined with the Set animal. This is interesting, because Seth is described as a wind deity, not as an earth deity.
In the famous Coffin Texts of Middle Kingdom period, Aker replaces the god Kherty, becoming now the "ferryman of Ra in his nocturnal bark". Aker protects the sun god during his nocturnal travelling through the underworld caverns. In the famous Book of the Dead, Aker also "gives birth" to the god Khepri, the young, rising sun in shape of a scarab beetle, after Aker has carried Khepri's sarcophagus safely through the underworld caverns. In other underworld scenes, Aker carries the nocturnal bark of Ra. During his journey, in which Aker is asked to hide the body of the dead Osiris beneath his womb, Aker is protected by the god Geb.
In several inscriptions, wall paintings and reliefs, Aker was connected to the horizon of the North and the West, forming a mythological bridge between the two horizons with his body. Certain sarcophagus texts from the tombs of Ramesses IV, Djedkhonsuiusankh and Pediamenopet describe how the sun god Ra travels through the underworld "like Apophis going through the belly of Aker after Apophis was cut by Seth". In this case, Aker seems to be some kind of representation of the underworld itself.
Aker appears for the first time during the 1st Dynasty with the kings (pharaohs) Hor Aha and Djer. An unfinished decorative palette from the tomb of Djer at Abydos shows Aker devouring three hearts. The location of Aker's main cult center is unknown, though. His mythological role was fully described for the first time in the famous Pyramid Texts of king Teti.
In Greek mythology, Theia (/ˈθiːə/; Ancient Greek: Θεία, romanized: Theía, also rendered Thea or Thia), also called Euryphaessa "wide-shining", is the Titaness of sight and by extension the goddess who endowed gold, silver and gems with their brilliance and intrinsic value. Her brother/consort is Hyperion, a Titan and god of the sun, and together they are the parents of Helios (the Sun), Selene (the Moon), and Eos (the Dawn). She may be the same with Aethra, the consort of Hyperion and mother of his children in some accounts.
The name Theia alone means simply "goddess" or "divine"; Theia Euryphaessa (Θεία Εὐρυφάεσσα) brings overtones of extent (εὐρύς, eurys, "wide", root: εὐρυ-/εὐρε-) and brightness (φάος, phaos, "light", root: φαεσ-). Once paired in later myths with her Titan brother Hyperion as her husband, "mild-eyed Euryphaessa, the far-shining one" of the Homeric Hymn to Helios, was said to be the mother of Helios (the Sun), Selene (the Moon), and Eos (the Dawn).
In Greek mythology, Iapetus (/aɪˈæpɪtəs/; Ancient Greek: Ἰαπετός, romanized: Iapetós),[also Japetus, was a Titan, the son of Uranus and Gaia and father of Atlas, Prometheus, Epimetheus, and Menoetius. He was also called the father of Buphagus and Anchiale in other sources.
Iapetus was linked to Japheth (יֶפֶת) one of the sons of Noah and a progenitor of mankind in biblical accounts. The practice by early historians and biblical scholars of identifying various historical nations and ethnic groups as descendants of Japheth, together with the similarity of their names, led to a fusion of their identities, from the early modern period to the present.
In Greek mythology, Prometheus (/prəˈmiːθiəs/; Ancient Greek: Προμηθεύς, [promɛːtʰéu̯s], possibly meaning "forethought") is a Titan god of fire. Prometheus is credited with the creation of humanity from clay, and of defying the gods by stealing fire and giving it to humanity as civilization. Prometheus is known for his intelligence and for being a champion of humankind, and is also generally seen as the author of the human arts and sciences He is sometimes presented as the father of Deucalion, the hero of the flood story.
The punishment of Prometheus as a consequence of the theft of fire and giving it to humans is a popular subject of both ancient and modern culture. Zeus, king of the Olympian gods, sentenced Prometheus to eternal torment for his transgression. Prometheus was bound to a rock, and an eagle—the emblem of Zeus—was sent to eat his liver (in ancient Greece, the liver was often thought to be the seat of human emotions). His liver would then grow back overnight, only to be eaten again the next day in an ongoing cycle. Prometheus was eventually freed by the hero Heracles. In yet more symbolism, the struggle of Prometheus is located by some at Mount Elbrus or at Mount Kazbek, two volcanic promontories in the Caucasus Mountains beyond which for the ancient Greeks lay the realm of the barbarii.
In another myth, Prometheus establishes the form of animal sacrifice practiced in ancient Greek religion. Evidence of a cult to Prometheus himself is not widespread. He was a focus of religious activity mainly at Athens, where he was linked to Athena and Hephaestus, who were the Greek deities of creative skills and technology.
In the Western classical tradition, Prometheus became a figure who represented human striving (particularly the quest for scientific knowledge) and the risk of overreaching or unintended consequences. In particular, he was regarded in the Romantic era as embodying the lone genius whose efforts to improve human existence could also result in tragedy: Mary Shelley, for instance, gave The Modern Prometheus as the subtitle to her novel Frankenstein.
In ancient Roman religion and myth, Faunus [ˈfau̯nʊs] was the horned god of the forest, plains and fields; when he made cattle fertile he was called Inuus. He came to be equated in literature with the Greek god Pan.
Faunus was one of the oldest Roman deities, known as the di indigetes. According to the epic poet Virgil, he was a legendary king of the Latins. His shade was consulted as a goddess of prophecy under the name of Fatuus, with oracles] in the sacred grove of Tibur, around the well Albunea, and on the Aventine Hill in ancient Rome itself.
Marcus Terentius Varro asserted that the oracular responses were given in Saturnian verse.Faunus revealed the future in dreams and voices that were communicated to those who came to sleep in his precincts, lying on the fleeces of sacrificed lambs. W. Warde Fowler suggested that Faunus is identical with Favonius,one of the Roman wind gods (compare the Anemoi).
In ancient Greek religion and mythology, Pan (/pæn/; Ancient Greek: Πάν, romanized: Pán) is the god of the wild, shepherds and flocks, nature of mountain wilds, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is also recognized as the god of fields, groves, wooded glens and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. The word panic ultimately derives from the god's name.
In Roman religion and myth, Pan's counterpart was Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna; he was also closely associated with Sylvanus, due to their similar relationships with woodlands. In the 18th and 19th centuries, Pan became a significant figure in the Romantic movement of western Europe and also in the 20th-century Neopagan movement.
In ancient Roman religion and myth, Tellus Mater or Terra Mater ("Mother Earth") is a goddess of the earth. Although Tellus and Terra are hardly distinguishable during the Imperial era, Tellus was the name of the original earth goddess in the religious practices of the Republic or earlier.[ The scholar Varro (1st century BC) lists Tellus as one of the di selecti, the twenty principal gods of Rome, and one of the twelve agricultural deities. She is regularly associated with Ceres in rituals pertaining to the earth and agricultural fertility.
The attributes of Tellus were the cornucopia, or bunches of flowers or fruit. She was typically depicted reclining, or rising, waist high, from a hole in the ground. Her male complement was a sky god such as Caelus (Uranus) or a form of Jupiter. Her Greek counterpart is Gaia, and among the Etruscans her name was Cel. Michael Lipka has argued that the Terra Mater who appears during the reign of Augustus is a direct transfer of the Greek Ge Mater into Roman religious practice, while Tellus, whose ancient temple was within Rome's sacred boundary (pomerium), represents the original earth goddess cultivated by the state priests.
The word tellus, telluris is also a Latin common noun for "land, territory; earth," as is terra, "earth, ground". In literary uses, particularly in poetry, it may be ambiguous as to whether the goddess, a personification, or the common noun is meant.
This article preserves the practice of the ancient sources regarding Tellus or Terra.
In Greek mythology, Gaia (/ˈɡeɪə, ˈɡaɪə/;] from Ancient Greek Γαῖα, a poetical form of Γῆ Gē, "land" or "earth"), also spelled Gaea /ˈdʒiːə/, is the personification of the Earth and one of the Greek primordial deities. Gaia is the ancestral mother—sometimes parthenogenic—of all life. She is the mother of Uranus (the sky), from whose sexual union she bore the Titans (themselves parents of many of the Olympian gods), the Cyclopes, and the Giants; as well as of Pontus (the sea), from whose union she bore the primordial sea gods. Her equivalent in the Roman pantheon was Terra.
Hesiod's Theogony tells how, after Chaos, "wide-bosomed" Gaia (Earth) arose to be the everlasting seat of the immortals who possess Olympus above. And after Gaia came "dim Tartarus in the depth of the wide-pathed Earth", and next Eros the god of love. Hesiod goes on to say that Gaia brought forth her equal Uranus (Heaven, Sky) to "cover her on every side". Gaia also bore the Ourea (Mountains), and Pontus (Sea), "without sweet union of love" (i.e., with no father).
Afterwards with Uranus, her son, she gave birth to the Titans, as Hesiod tells it:
She lay with Heaven and bore deep-swirling Oceanus, Coeus and Crius and Hyperion and Iapetus, Theia and Rhea, Themis and Mnemosyne and gold-crowned Phoebe and lovely Tethys. After them was born Cronos (Cronus) the wily, youngest and most terrible of her children, and he hated his lusty sire.
According to Hesiod, Gaia conceived further offspring with her son, Uranus, first the giant one-eyed Cyclopes: Brontes ("Thunder"), Steropes ("Lightning"), and Arges ("Bright"); then the Hecatonchires: Cottus, Briareos, and Gyges, each with a hundred arms and fifty heads. As each of the Cyclopes and Hecatonchires were born, Uranus hid them in a secret place within Gaia, causing her great pain. So Gaia devised a plan. She created a grey flint (or adamantine) sickle. And Cronus used the sickle to castrate his father Uranus as he approached his mother, Gaia, to have sex with her. From Uranus' spilled blood, Gaia produced the Erinyes, the Giants, and the Meliae (ash-tree nymphs). From the testicles of Uranus in the sea came forth Aphrodite.
By her son, Pontus, Gaia bore the sea-deities Nereus, Thaumas, Phorcys, Ceto, and Eurybia.
Because Cronus had learned from Gaia and Uranus that he was destined to be overthrown by one of his children, he swallowed each of the children born to him by his Titan older sister, Rhea. But when Rhea was pregnant with her youngest child, Zeus, she sought help from Gaia and Uranus. When Zeus was born, Rhea gave Cronus a stone wrapped in swaddling-clothes in his place, which Cronus swallowed, and Gaia took the child into her care.
With the help of Gaia's advice, Zeus defeated the Titans. But afterwards, Gaia, in union with Tartarus, bore the youngest of her sons Typhon, who would be the last challenge to the authority of Zeus.